Jacqueline Bradley, Australia
Lady and the Tramp. Forks, felt, epoxy resin, cotton and fabric.10 x 70 x 17cm
Photographer: Brenton Mcgeachie
My sculptural work uses household objects, such as crockery, cutlery and furniture, in conjunction with fabricated elements as a metaphor exploring communication and connections between people, minds and thoughts. The works in Subversive Correspondence exhibition, Lady and the Tramp and Butcher’s Hooks, both explore the idea of a domestic space as a place of communication.
Lady and the Tramp. Forks, felt, epoxy resin, cotton and fabric.10 x 70 x 17cm
Photographer: Brenton Mcgeachie
My sculptural work uses household objects, such as crockery, cutlery and furniture, in conjunction with fabricated elements as a metaphor exploring communication and connections between people, minds and thoughts. The works in Subversive Correspondence exhibition, Lady and the Tramp and Butcher’s Hooks, both explore the idea of a domestic space as a place of communication.